My favourite indy projects
I am, of course, not sure what the definition of “indy” really is these days, but I’ll leave that one to the philosophers.
I’ve written before about Can You Brexit? (Without breaking Britain) (UK) (US) – a fabulous, well-researched and very funny choose-your-own-story gamebook by Dave Morris and Jamie Thompson. It casts you in the role of the Prime Minister the morning after the Brexit referendum, in a parallel but highly-recognisable universe. (The leader of the Labour party is the dishevelled hard-leftist “Barry Scraggle”, while one of the leading Brexiters is the near-Edwardian “Tobias Tode”.) The book achieves two notable feats: it makes the chewy details of Brexit engaging, and one starts to sympathise – or at least empathise – with the plight of the Prime Minister who has the impossible task of keeping all sides happy.
For music, try the remarkable loops of Duotone, aka Barney Morse-Brown. It’s hypnotic, and he is the most astonishingly talented musician. (One of his side gigs, I believe, is that he plays cello for Birdy.) Ropes (UK) (US) was my introduction to Duotone, but his new album “A Life Reappearing” is out very soon – here’s the single, “Martha”.
I’m still loving Amazing Tales by Martin Lloyd, a lavishly illustrated, simple and elegant role-playing game for parents and young children to enjoy together – often in the time it might take to enjoy a bedtime story. My 6 year old has just created a new character, “Death Man”, whose special skills include “Smashing” and “Eating”. Marvellous. Martin has pared role-playing to its essentials, designed a system that involves rolling funny-shaped dice (indispensable), and offered many ideas for keeping things fast and fun and not too scary.
And while my podcast feed is packed with high-production-value shows assembled by large production teams with talented presenters, somehow whenever Futility Closet drops into the feed, I pause everything to listen to Greg and Sharon Ross chat about the latest quirky historical story, go through an increasingly thought-provoking mailbag, and solve a lateral thinking puzzle. Production values have improved, but the show still sounds a little amateurish in the best possible way. Unique, engaging, and well worth a listen.
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